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Now showing items 1-10 of 337
Mapping
(1998)
Mapping is a piece that depicts the slow evolution of a landscape: it leads the listener through unknown territory, arriving at landing points from time to time by means of transformed sounds from the real world. The work ...
Breaking
(1999)
Secas las pilas de todos los timbre
(1995)
Secas las pilas de todos los timbres intends to be a song of love and solidarity in a world in which love has been forgotten and where the requests for solidarity do not even arrive to be heard. It deals with symbols, not ...
HyPER MIX: Sent To Analyze Lifeforms
(1991)
HyPER MIX: Sent To Analyze Lifeforms (1991)
a. They appear boring...should we bother,
b. Why not...let's sample their digital intelligence.
c. What do they do and why do they do it???
d. Evaluate data
e. ...
The Circle of Existence
(1996-00-00)
"The Circle of existence" - M.Afanasiev (1996). The first composition in genre of studio music. This is an opening of the new way of the author's expression. The syntheses of instrumental and studio thinking. The fragment ...
Pagan Circus
(1997)
Silent red
(1997)
This work was written as part of a multimedia performance by the Mohican Blue Dance Co. for three dancers, three video projections and electroacoustic sound. The work was inspired was the triptych paintings of Francis ...
Lament
(1991)
TopoPhonicPlateaus
(1995)
Die akustischen und optischen Zustände des begehbaren Raumklang-Licht-Körpers »TopoPhonicPlateaus« wechseln stetig. Elektroakustischer Klang, Instrumentalklang, menschliche Stimme und Geräusche (mithin jegliches Audiomaterial) ...
Hyperthopsia
(1009-11-28)
Die Verbindung zwischen hörbarer und sichtbarer Kunst wird am ZKM durch einen Preis gefördert, den der Kunstmäzen Walter Fink gestiftet hat und der mit 10 000 Euro dotiert ist: "Hyperthopsia" für Tanz, Musik, Licht und ...